Sunday, November 27, 2011

Why Customers Should Be the Heroes of Your Case Studies

Customer case studies are one of the most popular and influential kinds of marketing content used by B2B companies. New research by Eccolo Media shows that case studies are the fourth most widely consumed type of marketing collateral (behind product brochures, white papers, and video/multimedia files) and the second most influential type of marketing collateral (trailing only white papers).

Case studies are potent marketing tools because they're good at performing several jobs.
  • They help establish your credibility.
  • They educate prospects about the benefits of your product or service.
  • Most importantly, they can lower a prospect's perception of the risk associated with purchasing your product or service.
The good news is that case studies can boost the effectiveness of your marketing efforts. The not-so-good news is that the use of case studies has exploded, and therefore your case studies are facing more competition for attention and mindshare. If they don't stand out from all the others your prospects see, they simply won't produce the maximum benefits.

I'm often asked by clients to review and comment on their customer case studies. All too often, what I read is self-promotional "brochureware" disguised as a case study.

The mistake that many companies make is to cast themselves, rather than their customers, as the heroes of their case studies. The storyline in many case studies resembles the old silent movie where the villian ties a helpless damsel (the customer) to the railroad tracks, and the hero (the selling company) rides in at the last minute to rescue the damsel in distress from an oncoming train.

A well-written case study will cause readers to identify with the customer. You want readers to empathize with the "pain" the customer was experiencing and the success the customer achieved. In essence, you want readers to finish the case study believing that they can achieve the same success, if they will just let you help. When you make yourself the hero of your case studies, you are asking readers to identify with your company, not the customer. And that's much more difficult to achieve.

It's easy to tell when the selling company has made itself the hero of a case study. Lots of sentences begin with "We" or "Our" and the story focuses on what the selling company (or its product or service) did rather than on what the customer was able to accomplish.

So, when you prepare a case study, you can give yourself a strong supporting role, but always let your customer be the star.

We've created a "mini-guide" to writing compelling customer case studies. If you'd like to get a copy of Seven Tips for Writing Customer Case Studies that Sell, send an e-mail to ddodd(at)pointbalance(dot)com.

Saturday, November 26, 2011

Mixing business and beliefs




Lululemon, the Starbucks and Whole Foods of the yoga market,
has stretched too far according to some of its customers.


Elevating the world from mediocrity to greatness


The company’s shopping bags carry a cryptic “Who is John Galt?” line taken from Atlas Shrugged, Ayn Rand’s objectivist opus. This
has created a bit of a storm in the media teacup.



Should businesses trying to sell stuff

Tuesday, November 22, 2011

Turn Your Website into a Powerful eCommerce Machine

The current economic environment has been hard on both brick and mortar & online sales. But there are a few simple, yet powerful, things you could do to boost online sales and gain loyal customers.

1. Make Sure Your SSL Seal is Prominent. SSL or secure socket layer is a sign that the site is encrypted…that the information consumers enter, such as personal and credit card information, is protected. Most eCommerce sites must file for an SSL certificate from vendors such as VeriSign, GoDaddy, eTrust, TRUSTe, and others. It’s a good practice to display the vendors logo on your order page, as well as make sure in the browser window the “https” or image of a lock is present. This is a clear and comforting sign to consumers that they can order on line with confidence.

2. Encourage Online Sales vs. Other Order Mechanisms. Offer special “Internet Only Pricing” to customers. It could be a discount of 5-10%. This reduces any potential overhead costs for staffing fees such as telesales or order entry personnel.

3. Offer Free Shipping. Many eTailers already factor shipping into their published price, so when there’s a big, flashing banner next to the item saying “free shipping” it gives consumers that extra little push to move forward with the transaction. It boils down to basic psychology. Everyone likes to feel like they’re getting something for free.

4. Use Buyer Feedback To Your Advantage. Have an area on your website or next to select items that says “Customer Favorite” or “Hot Item”. Also, have some glowing customer testimonials next to the product for potential prospect to see. Consumers like to feel good about the item they are about to purchase. To see a great testimonial and knowing that others purchased the product is a validation and comforting feeling. In addition to helping the conversion, this tactic also helps reduce buyer’s remorse and product returns.

5. Make Sure Your Product Pages are Optimized for Search Engines. After doing some keyword research on actual search behavior for your product, refine your meta description, meta keywords and title tag of your product pages. This will help consumers find your product in the organic listing of search engine results.

6. Have a Special Coupon Code Banner on Your Home Page. This is a best practice with online fashion retailers. There’s typically a banner ad on their home page stating something like, “Summer Blow Out Sale, Use Coupon Code 1234”. This is another great way to offer a special discount for your online customers that makes them feel good about the purchase. You can also encourage viral activity by having a “forward to friend” text link that opens a MSOutlook email window with the coupon or coupon code. Make sure to have some great intro copy mentioning how customers should “pass on the great savings to friends, family, and colleagues.”

7. Consider Payment Plans. For your higher ticket items, consider setting up extended payment plans that allows customers to pay for an item over a few payments. If an item is let’s say, $200, you might want to offer a flex pay of “6 easy payments of $33.33” that is conveniently auto-billed to their credit card. Just be diligent when calculating your payment prices as well as creating your return/refund policy for these items. The general rule is that your actual production costs/hard costs should be covered in the first 1-3 payments.

Remember to keep testing methods that help improve sales and drive prospects to your storefront. Make note of when you implement new tactics, such as the above, and then after a month of being live, compare sales results year-over-year to see if you found the sweet spot in your eCommerce efforts. I’m confident that you will see an improvement in online sales.

9 Great Ways to Build Your List

Whether you're an entrepreneur, corporation, or publisher - the power of the "lead" is critical in growing your business. Leads, also known as prospects, are typically the entry level point of the sales funnel.

A popular business model by many online publishers is to bring in leads at the free level (i.e. free report, free newsletter, free webinar), then add those names to their "list" and usually over the course of 30 - 90 days (the bonding time) that lead will convert into a paying customer. This practice is known as lead generation, name collection or list building efforts.

Today, I'm going to share with you some proven online marketing methods I've used and had great success with at some of the top publishers in America. And bonus ... many of these tactics are little or no cost!Here's the list, in no particular order:

1. Teleseminar or Webinar. This is a great way to collect names. Promote a free teleseminar or webinar to prospects (that is not your internal list). Remember, this is for lead generation, not bonding. So your goal is to give away valuable information in exchange for an email address. The trick is to promote the event in as many places as possible without incurring advertising costs.

2. Co Registration. Co Reg is another way to collect names, but involves a nominal fee. Co Reg is when you place a small ad on another publisher's site after some sort of transaction (albeit a sales or lead gen offer). So for instance, after someone sign s up to AOL Travel eNewsletter, a Thank You page comes up with a list of sponsors the reader may find interesting as well - other free eNewsletter offers. The text ad is usually accompanied by a small graphic image representing the sponsor. The key here is to pick publishers and Co Reg placements that are synergistic to your publication and offer. Another important note is to make sure you follow up quickly to these names so they don't forget who you are. I suggest a dedicated autoresponder series. Co Reg efforts can cost you around $1 - $3 per valid email address.

3. Affiliate Partnerships. This includes JVs (joint ventures), affiliate marketing, guest editorials, editorial contributions, and reciprocal ad swaps. This tactic is extremely effective and cost efficient. The key here is having some kind of leverage then approaching publishers that may want your content or a cross-marketing opportunity to your current list (note: this only works if you have a list of decent size another publisher will find attractive). In exchange for content or revenue share efforts, you and the other publisher agree to reciprocate either eNews ads or solo emails to each other's lists, thereby sending a message to a target, relevant list for free. Well, if you agree on a rev share, it's free as far as ad costs, but you are giving that publisher a split of your net revenues.

4. Content Syndication. I've written about this many times, but can't stress it enough. Content is king and you can leverage it via my SONAR Content Distribution Model TM . SONAR is a cost effective, yet powerful, method of repurposing and synchronizing content (albeit text, audio, video) distribution into various, targeted channels. And it allows companies, publishers, entrepreneurs ... basically anyone with content on their website ... the ability to ultimately turn traffic into sales. SONAR represents the following online distribution platforms:
S Syndicate partners, content syndication networks, and user generate content sites
O Online press releases
N Network (social) communities
A Article directories
R Relevant posts to blogs, forums, and bulletin boards. SONAR works hand-in-hand with your existing search engine marketing (SEM), social media marketing (SMM), and search engine optimization (SEO) tactics.

5. Search Engine Optimization. In order to drive as much organic traffic as possible to your website you need to make sure your site is optimized for the correct keywords and your target audience. Once you optimize your site with title tags, meta descriptions, and meta keywords, you need to make sure you have revised your site to harness the traffic that will be coming. That means adding eye-catching email collection boxes to home page, relevant banners, and obvious links to get to product pages. You don't want to miss any opportunity to turn traffic in to sales or free newsletter subscribers.

6. Media Buying. To compliment your "free" online efforts, you may want to consider targeted, low cost media buys (paid online advertising) in the form of text ads, banner ads, blog ads, or list rentals (i.e. eNews sponsorships or solo emails). You're paying for the placement in these locations, so you must make sure you have strong promotional copy and offer for the best results possible. If you're thinking about buying online ads and want to make sure you get the best rates around, then check out my new ebook, Muscle Media: The Complete Guide to Buying Online Ads For Less.

7. Pay Per Click (PPC). Many people try pay per click only to spend thousands of dollars with little results. Creating a successful PPC campaign is an art - one that I've had success with. You must make sure you have a strong text ad and landing page and that the ad is keyword dense. You must also have a compelling offer and make sure you do your keyword research. Picking the correct keywords that coincide with your actual ad and landing page is crucial. You don't want to pick keywords that are too vague, too competitive, or unpopular. You also need to be active with your campaign management which includes bid amounts and daily budget. All these things - bid, budget, keywords, popularity, and placement - will determine the success of the campaign. And most campaigns are trial and error and take anywhere from 3-6 weeks to optimize.

8. Viral Marketing. Make sure you have a "forward to friend" feature in your eNewsletter to encourage viral marketing. It's also important to have a content syndication blurb in your newsletter, this also encourages other websites, publishers, editors and so forth to republish your content as long as they give you author attribution and a back-link to your site. In addition, the SONAR model above incorporates viral buzz in its strategy, so deploying SONAR will help you increase your website visibility and reach.

9. Polls. Incorporating a poll on your website, or having a poll on another site or eNewsletter (via a media buy or ad swap) is a great way to build your list. It's important to spend time thinking about your poll question - something that a hot topic, controversial, and relevant to the locations you're placing your poll. You want to pull people in with your headline and make the poll entertaining. Your answers should be multiple choice and have an "other" field which encourages participant to engage with your question. I've found this "other" field as a fantastic way to make the poll interactive. Many people are passionate about certain subject matters and won't mind giving you their two cents. Then to show appreciation for talking the poll, tell participants they are getting a bonus report and free eNewsletter subscription (which they can opt out of at any time). And of course, make sure to mention - and link to - your privacy/anti spam policy.After you kick off your list building efforts, make sure you start tracking them so you can quantify the time and resources spent. This involves working with your webmaster on setting up tracking URLs specific to each website you're advertising on. It also means looking at Google Analytics for your website and corresponding landing pages to see traffic and referring page sources.

When deploying social media or SONAR tactics, it's important to look at which sites are linking back to you. You can check this with several free back-link tools such as http://seopro.com.au/free-seo-tools/link-checker/ , http://www.iwebtool.com/backlink_checker , http://www.backlinkwatch.com/index.php . As well as set Google Alerts for related keywords to your marketing efforts. You'll then be notified when someone republishes your content as well as general buzz about you.

This will get your visitor's attention every time...

Whether your goal is cross-selling or lead generation, interstitials are a great way to get someone's attention. An interstitial is not a pop up ad. And typically doesn't get blocked, like pop up ads, by many website or search engines. (For example, Google Adwords won't approve an PPC campaign if the redirect URL goes to a website that has pop up ads).

An interstitial ad is a full-page ad that appears before the actual webpage. Your webmaster or web programmer can put in place via an html script. In a nutshell, it's an ad in the front/center of the screen (some sites even keep the ad in place if you scroll up or down, which I find annoying).

The ad is in color and typically has a strong headline, call to action and graphic. Then the background of the ad is greyed-out where you can still see the website behind the ad, but it's faded - so your focus is on the main ad - the interstitial. There's also a clear and obvious way to close the interstitial. No tricks or hard-to-find 'x' buttons.

Interstitials are ideal if you don't have room for banner or text ads on your website or you don't want to affect the current layout of you home page.Not all interstitials, however, are created equal. I've seen some implemented that are not only unattractive, but are also ineffective with its copy and execution.A text book example of an interstitial ad can be found at EarlytoRise.com. if you go to the home page, wait 10-25 seconds, the ad will appear in the center of the page with the backdrop shaded.

The beauty of this is that you can make your actual ad space as big or small as you need. Your offer can be to sell something or to obtain an email address. You can include eye-catching images or have a countdown box to an event.

Whatever your offer or need ... an interstitial can deliver. And best of all, you don't have to wonder if your website visitor saw the ad or not. It's no doubt they did. You are just giving them the option to act on it OR close it.

Sunday, November 20, 2011

Customer Service as a Competitive Advantage

I’ve just returned from the National Arts Marketing Project Conference, the annual gathering of arts marketers convened by Americans for the Arts. I’ve gone to the conference for the past seven years to reconnect with colleagues, learn from case studies and catch up on new trends. As I return home this year, I am mindful that some arts marketers have limited control or influence over mission critical decisions, many of which affect audiences, revenue streams and branding. As marketers position themselves as growing agents of influence in their various organizations, I can’t help but think that perhaps our energies should be spent concentrating on the underperforming areas in which we can be the most impactful.

In this new environment of reduced resources, the ability for an organization to identify its competitive advantages is vital. Some of which, marketers have no responsibilities for. Others, we lead. In listening to Scott Stratten's opening keynote address at the conference, I was reminded that the general woeful state of customer service provides a prime opportunity for arts organizations to distinguish themselves. In short, Scott reminded us that we should always look for "opportunities to be awesome."

Some thoughts on how we can achieve awesomeness…

Awesomeness comes from humanness. We have our rules. Our policies and procedures. It is easy and efficient to train automatons. But the greatest value of human interaction from a transactional perspective is our unique ability to empathize, reason and trouble shoot. We have to encourage front line brand ambassadors to use their judgment. Empower them to solve problems. Reward them for breaking the rules when required because by design, rules are created for routine situations, not exceptional ones. Why hire smart and caring people if those attributes don’t influence operations? I left the conference thinking that if we all treated our customers like we would our mothers, our spouses, our best friends, that we might have lifelong relationships with them as well.

Awesomeness is unexpected. In the spirit of a random act of kindness, what if we asked our brand ambassadors to perform one act of unexpected awesomeness each day? It doesn't have to be a splashy show, as even an understated, thoughtful gesture can make someone's day. Imagine a scenario where a man calls the box office to get tickets to a performance for his wife to celebrate their anniversary, and the box office associate makes a note and leaves a few chocolates and an anniversary card waiting in their seats when they arrive. Wouldn't that be awesome? and don't you think they would remember that gesture for years to come?

Awesomeness doesn't wait for approval. Many times awesomeness is a derivative of authenticity. If corporate policy dictates that brand ambassadors need to get approval to provide extraordinary customer service, then the window of opportunity to be awesome disappears. Great customer service comes from authentic responses. If we hire caring and helpful brand ambassadors, managers need to step out of the way and let them do what they do best. Don't lose an opportunity to be awesome because you have to send it up the ladder for approval.

Awesomeness often results from a mistake. We all make mistakes, even the best of us. Even when we have the best intentions. What really matters is how we respond to our mistakes. Mistakes must be viewed as opportunities to provide great customer service. An extraordinary response to a mistake can provide for a lifelong memorable experience for a customer. In 2008, Arena Stage had to cancel a performance due to a substantial snowstorm, and although we contacted all the patrons we had contact information for, we didn’t get through to everyone. Prior to leaving their house in Philadelphia, one particularly adventurous couple called the sales office, and were informed the performance in question was still scheduled to perform. When they arrived, and discovered the show was canceled and the weather had deteriorated, not only were they disappointed, but they were stranded as well. We should have canceled earlier to give our patrons more notice. But before us was an opportunity to be awesome. Without being asked, our sales office worked with a partner hotel to arrange a room for them free of charge that evening using some trade rooms available to us from a previous cross-promotion. We reseated them into the following day’s performance, and the couple headed back to Philadelphia with a fond memory of their visit to Arena Stage. The moment immediately following a significant mistake is crucial. Don't hesitate. Own the mistake, and resolve it above and beyond a customer's expectations.

Arts organizations are charged with building communities. Communities are centered around relationships. We are in the relationship-building business. As such, we should approach each patron interaction from a position of "yes" rather than "no." Policies and procedures should be built with a focus on deepening our relationships within our communities. And each day as we go into work, we should look for opportunities to be awesome.

Saturday, November 19, 2011

Don't ask consumers what they want




Asking consumers what they want is so passé.



There was a time when brand and marketing managers would not
think of making a decision about the product, its features, packaging, and even
pricing without asking the consumer first – mostly through surveys. Lengthy
questionnaires were always being designed, tested, administered, analyzed, and
interpreted. Management meetings were called to